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Aint That A Lot Of Love - Sam & Dave - Soul Men + I Thank You


2012
Label: Edsel Records - EDSD 2131 • Format: 2x, CD Compilation • Country: UK • Genre: Funk / Soul • Style: Rhythm & Blues, Soul
Download Aint That A Lot Of Love - Sam & Dave - Soul Men + I Thank You

Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Moore and На Выезд - Various - Панк Революция 7 listed Jackie Wilson and Sam Cooke as influences on their styles, [3] and Moore was also influenced by Little Willie Johnwhom he and Dave opened for often in the early s.

Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub Orphan, Martyr, Saint - The Sea Kings - Some Dark Matters Miami and signed them to Marlin Records.

They released six 45s from — two were re-releases of Marlin recordings with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.

Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records Scots Wha Hae - Academy 23 - Aonaibh Ri Chiele. The duo then moved to relative newcomer writers and producers Isaac Hayes and David Porter.

Hayes and Porter wrote and produced the duo's biggest hits although they did not receive production credits until the Soul Men LP and singles. According to Moore and Prater, they also greatly influenced the duo's singing style, [6] and shifted their recording style from the style of their Roulette records to a more live, more energetic gospel, call-and-response feel and beat driven soul style the group is known for today.

The Stax house band, Booker T. Stewart is credited for instrumental mixes that allowed for instrumental separation and the distinct contribution of each instrument to the overall feel of the song.

InRolling Stone named it one of the best songs of the past 25 years. The duo used this format singing dual leads on most of their songs. The song was created when Hayes called to Porter, who was in the bathroom. Porter supposedly said "Hold on, man. I'm comin'," and Hayes and Porter wrote the song within 10 minutes. This resulted in a name change by Stewart and quick re-recording and re-release, and nearly all the original U.

Stax author Rob Bowman called this "One of the most sublime records in soul music's history," and Mar-Keys trumpet player Wayne Jackson called it the greatest song he has ever heard.

The song helped name the emerging music genre as "Soul Music". According to co-writer Isaac Hayes, the title was inspired by news reports of soul pride that emerged after the race riots, where stores that painting the word "soul" on your door was a message for looters to bypass your house. Hayes-Porter extrapolated that to "I'm a soul brother, I'm a soul man. Songs of the Century. In"Soul Man" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".

Critics commented that the B-side "Wrap It Up" could have been a separate successful single, which it later became for The Fabulous Thunderbirds. Those guys were absolutely unbelievable.

Every night they were awesome. To Dave, its proof that he's worked for his pay. For Sam its essential, almost mystical. He says he cannot work without it.

It was the duo's first trip to Europe. They averaged shows per year from through and inthey only took ten days off. Moore frequently recalls the performances on The Ed Sullivan Show as a career highlight. Both failed to chart. According to Wexler, "We just made some shit-ass records with them.

I never really got Words Of Hate - Various - Tribute to Manic Depression their sensibilities as a producer. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August Their contract with Atlantic expired shortly thereafter.

Despite inability to attract a major label after Atlantic, there was still demand for public performances, especially in Europe. According to Sam, most U. He attributed their poor bookings during this period to rumors of drug use and bad blood between the duo.

Inthey also were featured in a U. According to Moore, when they walked off stage it was the last time they spoke to each other. Moore attempted to block Prater from using the group's name, [22] but was largely unsuccessful. Six days later, on April 9, Aint That A Lot Of Love - Sam & Dave - Soul Men + I Thank You , Prater died in a car crash in Sycamore, Georgia while driving to his mother's house. Moore has continued to perform and record as a solo artist, and has also performed in numerous duets with other popular artists.

See the Sam Moore article. According to Moore, they did not speak to each other offstage for almost 13 years. During the s, they broke up many times, and typically would show up separately for shows, require separate dressing rooms, not look at each other onstage, and communicate through intermediaries.

Moore describes personal issues with Say You Will - Various - Perfecto Chills Vol. 2, drug use, touring fatigue, and a desire to do his own act with new material as contributing to their break-up. A parody of "Soul Aint That A Lot Of Love - Sam & Dave - Soul Men + I Thank You created by Moore, "I'm a Dole Man," was used in the Bob Dole presidential campaign until the copyright owners objected and requested the campaign stop using it.

Thomas Howell, and also the — television series featuring Dan Aykroyd. Jackson as two feuding soul singers called "The Real Deal. The suit was dismissed on summary judgment in May From Wikipedia, the free encyclopedia.

Pop Chronicles. University of North Texas Libraries. March 20, Robert F. Kennedy and 'Schoolhouse Rock! The Washington Post. Retrieved March 25, The Book of Golden Discs 2nd ed. London: Barrie and Jenkins Ltd. Retrieved The Hollywood Reporter. Sam Moore Dave Prater. Stax Records Isaac Hayes. Isaac Hayes David Porter. Rock and Roll Hall of Fame — Class of Bobby Bland Booker T. Elmore James Professor Longhair. Namespaces Article Talk.

Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy. RouletteStaxAtlanticGusto. Wikimedia Commons has media related to Sam and Dave.


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8 thoughts on “ Aint That A Lot Of Love - Sam & Dave - Soul Men + I Thank You

  1. Mar 17,  · SAM AND DAVE I thank you Soul Survivors Family WMV V9 - Duration: Diane McGrier , views. 50+ videos Play all Mix - I Thank You - .
  2. Ain't That a Lot of Love Lyrics: I know the desert can hold / All the love that I feel in my heart for you, yeah / If I could spread it out across the sea / I know my love would cover it up.
  3. I Thank You Lyrics: (I want everybody to get up off your seat / And get your arms together, and your hands together / And give me some of that o-o-old soul clapping) / You didn't have to love me like.
  4. "Soul Man" single and Soul Men LP. Sam & Dave's biggest hit and best-remembered song, "Soul Man" (R&B #1/Pop #2), was released in August It was the number #1 song in the US according to Cashbox magazine Pop charts in November Genres: Soul, R&B, Southern soul, Rock and roll.
  5. Apr 26,  · Ain t That a Lot of Love Don t Waste That Love That Lucky Old Sun This Is Your World (Bonus Track) Can t You Find Another Way (Of Doing It) (Bonus Track) Soul Men/I Thank You Plus by SAM & DAVE ( Edsel 2CD Remasters) 26 April Format: Audio CD Verified Purchase/5(4).
  6. Sep 21,  · I Thank You was Sam Moore and Dave Prater's fourth album for Stax/Atlantic and appeared three years after the first. Known as "Double Dynamite" the ex-gospel singers had an exciting stage act but on record benefited greatly from the galvanising presence of Booker T and the MGs and the Mar-Keys and the songwriting and arranging skills of Isaac Hayes with Dave Porter/5(2).

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