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Действие Четвертое - Alexander Borodin - Князь Игорь


1970
Label: Мелодия - СМ 01975-84 • Format: 5x, Vinyl LP Box Set • Country: USSR • Genre: Classical •
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Polovetskie plyaski from the Russian "Polovtsy"—the name given to the Kipchaks and Cumans by Действие Четвертое - Alexander Borodin - Князь Игорь Rus' people form Действие Четвертое - Alexander Borodin - Князь Игорь exotic scene at the end of act 2 of Alexander Borodin 's opera Prince Igor. The work remained unfinished when the composer died inalthough he had worked on it for more than a decade. Several other versions, or "completions", of the opera have been made.

The dances are performed with chorus and last between 11 and 14 minutes. They occur in act 1 or act 2, depending Fala, - Phrase Infinitiva - Duas Portas Para Uma Sala which version of the opera is being used.

Their music is popular and often given in concert as an orchestral showpiece. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March" which opens Действие Четвертое - Alexander Borodin - Князь Игорь 3, and an overture at the start.

The first dance, which uses no chorus and is sometimes omitted in concerts, is No. The dances proper appear at the end of the act as an uninterrupted single number in several contrasting sections, as in the following list. Basic themes are identified by letters in brackets e. Notable instrumental solos include those for clarinet in No. Nevolnitsy: Uletay na krylyakh vetra Ty v kraj rodnoy, rodnaya pesnya nasha, Tuda, gde my tebya svobodno peli, Gde bylo tak privolno nam s tobyu.

Tam, pod znoynym nebom, Negoy vozdukh polon, Tam pod govor morya Dremlut gory v oblakakh; Tam tak yarko solntse svetit, Rodnyye gory svetom zalivaya, V dolinakh pyshno rozy rastsvetayut, I solovyi poyut v lesakh zelyonykh, I sladkiy vinograd rastyot. Tam tebe privolney, pesnya, Ty tuda i uletay. Polovtsy Poyte pesni slavy khanu! Slav'te silu, dochest' khana! Slaven khan! Slaven on, khan nash! Bleskom slavy Solntsu raven khan! Nyetu ravnykh slavoy khanu!

Chagi khana slavyat khana. Khana svoyego. Slavewomen: Fly on the wings of the wind To our native land, dear song of ours, There, where we have sung you at liberty, Where we felt so free in singing you.

There, under the hot Am I Blue - Walter Gates And His Orchestra* - My Man, The air is full of bliss, There to the sound of the sea The mountains doze in the clouds; There the sun shines so brightly, Down In The Seine - The Style Council - Internationalists the native mountains in light, Splendid roses blossom in the valleys, And nightingales sing in the green forests.

And sweet grapes grow. Praise the power and valor of the Khan! Praise the glorious Khan! He is glorious, our Khan! In the brilliance of his glory, The Khan is equal to the sun! There is none equal to the Khan in glory, none!

The Khan female slaves praise the Khan, Their Khan! Oh, tell me, friend, Tell me just one word: If you want to, I will give you anyone of them. Polovtsians Sing songs of praise to the Khan! Praised be his generosity, praised be his mercy! Praise him! To his enemies the Khan is merciless He, our Khan! Who may equal the Khan in glory, who? In the brilliance of his glory, He is equal to the sun!

Our Khan, Khan Konchak, is equal In glory to his forefathers! The terrible Khan Konchak is equal In glory to his forefathers! Glorious is our Khan Konchak! Glory, glory! The grim Khan Konchak is equal In glory to his forefathers! Glory, glory to Khan Konchak! Khan Konchak! With your dancing entertain the Khan, Dance to entertain the Khan, slaves! Your Khan! Dance to entertain the Khan, slaves! With your dancing entertain the Khan!

Entertain with dancing! Our Khan Konchak! The premiere took place on 18 May The choreography was by Michel Fokine and the sets and costumes were designed by Nicholas Roerich. In later seasons, without singers, the work was given as The Polovtsian Dances. For the season, it was partly re-choreographed by Bronislava Nijinska. Themes from the Polovtsian Dances have been used widely in popular culture. The musical Kismet is mostly adapted from Borodin's music, including these dances.

For instance, the "Gliding Dance of the Maidens" from Polovtsian Dances is adapted to Stranger in Paradise songwhich has been performed and referenced extensively see the corresponding article. Themes have been adapted into various genres of popular music and performed by many singers and groups. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.

Please help improve this article by adding citations to Love Story - Tino Rossi - Disque DOr - Tino Rossi -- Gatefold sources. Unsourced material may be challenged and removed. This section needs additional citations for verification. Dance No. Russian [1].

English translation [2]. Retrieved Diaghilev's Ballets Russes. New York: DaCapo Press, Alexander Borodin. Prince Igor — Mlada Symphony No. The Five Mount Borodin. Classical music portal. Hidden categories: Articles needing additional references from December Действие Четвертое - Alexander Borodin - Князь Игорь articles needing additional references Articles containing Russian-language text Articles needing additional references from May Articles with hAudio microformats Articles containing French-language text Commons category link is on Wikidata.

Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy. Problems playing this file? See media help. Wikimedia Commons has media related to Polovtsian Dances.


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9 thoughts on “ Действие Четвертое - Alexander Borodin - Князь Игорь

  1. Aug 03,  · 50+ videos Play all Mix - "Половецкие пляски" из оперы "Князь Игорь" А. Alexander Borodin - Prince Igor - by Yury Lyubimov.
  2. 1 Anna BULYCHEVA Borodin s Prince Igor and the Translations of The Lay of Igor s Campaign Анна БУЛЫЧЕВА «Князь Игорь» Бородина и переводы «Слова о полку Игореве» The paper specifies to what extent Borodin, working at his opera Prince Igor, used the Old Russian original of The Lay of Igor s Campaign and the translations of this original as literary sources. The author of the article makes an .
  3. The Polovtsian Dances, or Polovetsian Dances (Russian: Половецкие пляски, tr. Polovetskie plyaski from the Russian "Polovtsy"—the name given to the Kipchaks and Cumans by the Rus' people) form an exotic scene at the end of act 2 of Alexander Borodin's opera Prince Igor.
  4. Алекса́ндр Порфи́рьевич Бороди́н (31 октября (12 ноября) , Санкт-Петербург — 15 (27) февраля , там же) — русский композитор, хи­мик-ор­га­ник, об­щественный дея­тель, доктор ме­ди­ци­ны.. Участник «Могучей кучДата рождения: 12 ноября
  5. Alexander Borodin / Александр Бородин* Prince Igor / Князь Игорь ‎ (5xLP, Exp + Box) Мелодия, Мелодия: CM , СМ USSR: Unknown: Sell This Version/5(11).
  6. Borodin, Alexandr Porphirevich (Alexander Borodin) - 19 - Действие 4. - Плач Ярославны - Ах! Плачу я, горько плачу я Александр Порфирьевич Бородин - опера "Князь Игорь" Действие 4. Хор "Ох, не буйный ветер завывал".
  7. Александр Порфирьевич Бородин (Alexander Borodin) - Увертюра к опере "Князь Игорь" Александр Порфирьевич Бородин - опера "Князь Игорь" Действие 4. .
  8. князь Игорь — Сергей Лейферкус, Ярославна — Анна Томова-Синтова, Владимир Игоревич — Алексей Стеблянко, князь Галицкий — Никола Гюзелев, Кончак — Паата Бурчуладзе, Кончаковна — Елена Заремба, Овлур — Робин Легатте, Скула — Эрик Гаррет, Ерошка — Фрэнсис Эгертон Источник сюжета: Слово о полку Игореве.
  9. Misc. Notes dpi; Act III missing pages , The frontispiece appeared on the first editions of both full and vocal scores Purchase.

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