We love New York, from where we write, and we want to tell it to Italians. We love Italy, and we want to tell it to the world. The winning piece takes the name after the Futurist painting by Umberto Boccioni at the MOMA and talks about borders theme of the Award : borders between national communities, cultures, and generations. Emilia Brandi actress and director and Francesca Falchi actress and playwrightexplained the choice in the following way briefly : the script is direct, it finds in its lightness the contraposition to tragedy, without falling into pietism and leaving freedom to understand the many points of view.
The piece will be translated in English by Carlotta Brentan Kairos Italy Theaterand published together with the four winners with the previous Festival editions. The company, based in Milan, undertakes themes linked to contemporaneity and recent history. Together the ted the multidisciplinary residency Manifattura K, recognized by the Mibact and by the Lombardy Region. CB : The idea? I got it inI think, in response to the incipit of an unfinished novel by a prematurely deceased journalist, Marco Formigoni.
Then, over time, the material became richer, and it became something startling, even for us. MDS : The idea for the script came to my mind in in response to a call for bids dedicated to the journalist Marco Formigoni. The call required to begin from just a few lines written by the journalist about a body that falls into a construction site. In fact, the call did not go well, and we put the script aside for four years.
Init just happened that we went back to read it again and we decided to create from those few pages a well-rounded choral detective novel with many characters that in some ways would talk about the reality that surrounded us, that deeply changed since the first draft.
Just think about the Expo in Milan. At that point, we had the idea of the narrator, the only character that really existed that appears in the entire script: Driss Moussafir, a Moroccan immigrant died I Live In New York - Christal / Bruno Lauzi & Maurizio Lauzi - I Live In New York / Maria Dei Parafu July 27th, A couple of more eyes and hands, offer different and unexpected ideas and languages, and in theater this is simply an added value.
Moreover, Grandfather Clam - Pete Lazonby - House Of Zen 2 do it only when we really feel the need of it: each of us has a career as an individual author as well and this avoid frustrations of any kind. People are divided into two categories: those who see danger in the cities and those who see a promise in them.
Will it be worth it? In hindsight, I think Vítr Se Opřel - Power 5 - Power 5 script was influenced by some reading I loved throughout the past few years. I am thinking of authors like Mayorga, Spregelburd, Sinisterra. CB : Great question, and very difficult response. Our two-man job goes on to the next levels, ever time deeper.
Instinctively, I would say that Marco brought the complexity of certain political themes, while I focused on the humanity of some characters. And on the comet. Each time I work on a new script or show, I feel like I have a new consciousness. For a I Live In New York - Christal / Bruno Lauzi & Maurizio Lauzi - I Live In New York / Maria Dei Parafu years, we have been reaching out to European and international realities, finding a dialogue, good practices, and very interesting inputs.
This for us is a first time and as all first times the expectations are really high. I hope this can be an opportunity to expose our work in New York and beyond. Moreover, our script was selected by the Italian committee of the Eurodram as well and the Hush - Various - Massive R&B Winter Collection 2007 publication of the text comes in the right moment.
For more information: InScena! We are a free and independent newspaper, and we need your contribution. Liberty Meets Beauty. For the first time the Mario Fratti Award is given to a four-handed written script. We interviewed the young and promising authors Chiara Boscaro and Marco Di Stefano, awarded and already on stage in Italy and Europe, that will receive the award in New York on the closing night on InScena!
How was the project born? What are the pros and the cons of a four-handed writing? A couple of more Youth - Marc Almond - The Willing Sinner (Live In Berlin) and hands, offer different and unexpected ideas and languages, and in theater this is simply an added value MDS : Chiara and I often write together, and now I only see the positive aspects of this practice.
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