Label: Victor - VICP-75062 • Format: 2x, CD Album, Limited Edition K2HD,HQCD • Country: Japan • Genre: Rock • Style: Symphonic Rock
It was recorded in February at the Anaheim Convention Center in AnaheimCalifornia during the group's —74 world tour in support of their fourth studio album, Brain Salad Surgery The album was a commercial success, reaching number 4 on the Billboardthe band's highest charting album in the US.
The album was recorded in February at the Anaheim Convention Center in AnaheimCalifornia during the group's —74 world tour in support of their fourth studio album, Brain Salad Surgery To record the album, staff and equipment were brought in from Wally Heider Studios in Los Angelesincluding a track mobile recording unit and a input console. Peter Granet, one of the engineers, called it "the finest recording experience I've My Friends had".
A quad mix of the album was released as Dont Let The Stars Get In Your Eyes - Faron Young - Live Fast, Love Hard, Die Young: The Early Albu three 8-track tape set. A quad LP record edition was planned for release in the Quadradisc format but was scrapped due to engineering issues in master recording which prevented JVCthe manufacturer, from cutting a stable master to meet the format's specifications.
Most of the recordings on the album were first used for broadcast on the American rock music Lake & Palmer - Welcome Back show, The King Biscuit Flower Hour. Inthe radio recordings were released on CD. AllMusic gave the album a mixed retrospective review, saying that it "makes one realise how accomplished these musicians were, and how well they worked together when the going was good. However, they noted that unlike most live albums of the era, Welcome Back did not incorporate studio overdubs, limiting the band's ability to recreate moments from their albums and resulting in poor Emerson quality: "Even the most recent To The Show That Never Ends - Ladies And Gentleme editions could not fix the feedback, the occasionally leakages, the echo, the seeming distance — the listener often gets the impression of being seated in the upper mezzanine of an arena.
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